There’s an empty calendar spread out before us. What meaning will we give to it?
Four days into the year and it’s all possibility right now. You have an idea of how things will go — what you’re looking forward to, what’s going to be challenging — but you’re working off archival material. Memory and experience, educated guesses. “2025 is going to be very difficult for me,” a friend said matter-of-factly the other night, before ticking off all the things she had to do this year: taking her business to a new stage, considering a move. To me, these things sounded exciting, interesting — the fascinating content of someone else’s life.
We’re all sitting here with the same year’s worth of days in front of us now, the same calendar. What activities and events will we fill it with? How will we greet the material of our days? What meaning will we give to it?
The museum stayed open for 24 hours on Dec. 21 for a special solstice showing of “The Clock,” from 7 p.m. Saturday to 7 p.m. Sunday. On my way there Saturday night, I noticed myself rushing: It was 8 p.m., I was late! But then I stopped. It didn’t really matter when I arrived. People would be coming and going throughout the screening all night and into the following day. Here was an invitation to reconsider how I thought about time. “The Clock,” like real time, isn’t a performance with a beginning and end. It’s happening whether you’re there or not. You show up or you don’t. You pay attention or you don’t. You can’t do it wrong.
“The Clock” forces you to meditate on time, the way we compulsively turn the consecutive scenes of our lives into a narrative, project a cause and effect onto everything that happens, assume everything has meaning and decide if that meaning is positive or negative. We’re the artists and architects of our own lives, surveying the day or year ahead and trying to figure out what story we’re going to tell. Is this going to be a good year? Is it going to be hard? Who decides?
We are having trouble retrieving the article content.
Please enable JavaScript in your browser settings.
Thank you for your patience while we verify access. If you are in Reader mode please exit and your Times account, or for all of The Times.
Thank you for your patience while we verify access.
Want all of The Times? .
Source: www.nytimes.com